Blackmagic Design Studio Camera 4K Pro G2
Blackmagic Design Studio Camera 4K Pro G2
Designed for professional SDI switchers, you get the features of the Studio Camera Plus model, as well as 12G-SDI, XLR audio, bright HDR LCD, talkback, 10G Ethernet IP link and HD live streaming.
Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!
While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7″ viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you’re constantly changing locations and doing different kinds of work.
Large broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7″ viewfinder. The touchscreen has menus for camera settings, and there’s knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup!
In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it’s optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.
Amazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.
With the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they’re designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!
The large 7″ high resolution screen will totally transform how you work with the camera because it’s big enough to make framing shots much easier. The Pro models feature an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it’s compatible with sun shades from the Blackmagic Studio Viewfinder!
Blackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.
Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it’s easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it’s on air. SDI tally eliminates complex wiring so job setup is faster.
Unlike consumer cameras, the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time! The talkback connector is built into the side of the camera and supports standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback!
Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That’s just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it’s much lower cost.
Blackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. The Blackmagic Studio Camera Pro models have 12G-SDI so you can connect it to SDI based switchers such as the ATEM Constellation. There’s a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!
Using the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher.
The SDI model uses the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.
The 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more!
You can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy!
MK-12T22-M43 Meike Cinema Prime 12mm T2.2 MFT Final Sale No cancellation No returns
MK-16T22-M43 Meike Cinema Prime 16mm T2.2 MFT Final Sale No cancellation No returns
MK-25T22-M43 Meike Cinema Prime 25mm T2.2 MFT Final Sale No cancellation No returns
MK-35T22-M43 Meike Cinema Prime 35mm T2.2 MFT Final Sale No cancellation No returns
MK-50T22-M43 Meike Cinema Prime 50mm T2.2 MFT Final Sale No cancellation No returns
MK-85T22-M43 Meike Cinema Prime 85mm T2.2 MFT Final Sale No cancellation No returns
MK-8T29-MFT Meike 8mm T2.9 Micro4/3 Final Sale No cancellation No returns
MK-65T22-M43 Meike Cinema Prime 65mm T2.2 MFT Final Sale No cancellation No returns
MK-10T22-M43 Meike 10mm T2.2 MFT Final Sale No cancellation No returns
MKON-MTK17MT1MFT Mitakon Speedmaster 17mm T1 Lens – M43
MKON-MTK25MT1MFT Mitakon Speedmaster 25mm T1 Lens – M43
MKON-MTK35MT1MFT Mitakon Speedmaster 35mm T1 Lens – M43
MKON-MTK172535MT1MFT Mitakon 17+25+35 M43 Set with hard case – M43
TO-KPC-1016MFT Tokina Cinema Vista 16-28mm T3.0 MKII Zoom MFT Mount (Imperial Focus Scale)
TO-KPC-3001MFT Tokina Cinema Vista 35mm T1.5 MFT Mount (Imperial Focus Scale)
TO-KPC-3002MFT Tokina Cinema Vista 50mm T1.5 MFT Mount (Imperial Focus Scale)
TO-KPC-3003MFT Tokina Cinema Vista 85mm T1.5 MFT Mount (Imperial Focus Scale)
TO-KPC-3004MFT Tokina Cinema Vista 18mm T1.5 MFT Mount
TO-KPC-3005MFT Tokina Cinema Vista 25mm T1.5 MFT Mount
TO-KPC-3006MFT Tokina Cinema Vista 105mm T1.5 MFT Mount
TO-KPC-3007MFT Tokina Cinema Vista 21mm T1.5 MFT Mount (Imperial Focus Scale)
TO-KPC-3008MFT Tokina Cinema Vista 40mm T1.5 MFT Mount
TO-KPC-3009MFT Tokina Cinema Vista 65mm T1.5 MFT Mount
TO-KPC-3010MFT Tokina Cinema Vista 135mm T1.5 MFT Mount (Imperial Focus Scale)
TO-KPC-3011MFT Tokina Cinema Vista 29mm T1.5 MFT Mount (Imperial Focus Scale)
TO-KPC-3012MFT Tokina Cinema Vista 180mm T1.9 MFT Mount (Imperial Focus Scale)
TO-KPO-1003MFT Tokina Cinema Vista MFT Mount and Shim Kit
VAZEN-VZ4018ANA Vazen 40mm t/2 1.8X Anamorphic Lens for Micro Four Thirds cameras
VAZEN-VZ2818ANA Vazen 28mm t/2.2 1.8X Anamorphic Lens for Micro Four Thirds cameras
VAZEN-VZ6518ANA Vazen 65mm t/2 1.8X Anamorphic Lens for Micro Four Thirds cameras
VAZEN-VZMFTKIT Vazen 28 + 40 + 65 Bundle with hard case – MFT (Blue)
VAZEN-VZ2818ANAAM Vazen 28mm T/2.2 1.8X Anamorphic Lens – MFT (Amber)
VAZEN-VZ4018ANAAM Vazen 40mm T/2 1.8X Anamorphic Lens – MFT (Amber)
VAZEN-VZ6518ANAAM Vazen 65mm T2 1.8X Anamorphic Lens – MFT (Amber)
VAZEN-VZMFTKITAM Vazen 28 + 40 + 65 Bundle with hard case – MFT (Amber)
Fujinon-MFT MK18-55 T2.9 Micro 4/3 18-55mm T2.9 All Manual – CINE Lens
Fujinon-MFT MK50-135 T2.9 Micro 4/3 50-135mm T2.9 All Manual – CINE Lens
Blackmagic Design Parts
BMD-PSUPPLY-12V60WLOCK Power Supply – ATEM Mini Extreme 12V60W
BMD-CINSTUDMFT/H/FD Blackmagic Focus Demand
BMD-CINSTUDMFT/H/FZD Blackmagic Zoom Demand
BMD-CINSTUDMFT/H/SC Blackmagic Studio Converter
BMD-PSUPPLY/XLR12V100 Power Supply – URSA/Studio Cam Pro 12V100W
AZDEN-SGM-3500 Professional broadcast shotgun mic, 7″ barrel
AZDEN-SGM-250P Professional shotgun microphone
OZEN-OZ-6AL2HDS AGILE 6S (S-LOC) 75mm fluid head w/extending pan bar + TR-75AL2HD 2-stage heavy-duty aluminum tripod w/flip-type brake levers, carry-handle, CONTENDER heavy-duty mid-level spreader, & deep-tread rubber feet + softcase
OZEN-OZ-6CF2HDS AGILE 6S (S-LOC) 75mm fluid head w/extending pan bar + TR-75CF2HD 2-stage heavy-duty carbon-fiber tripod w/flip-type brake levers, carry-handle, CONTENDER heavy duty mid-level spreader, & deep-tread rubber feet + softcase
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